In the course of his long and productive literary career Eugene Mirabelli (or just plain Gene) has written novels which share characters and histories. The result is a rich mosaic of fictions, a mix of the realistic and the magical, and among these inter-related works are three which he has revised and assembled into the single multi-faceted novel, RENATO!
In the words of Publishers Weekly, the life and times of Renato Stillamare have become “a blazing magnum opus.”
Booklist put it this way: “A philosopher at heart, Renato expounds on everything, especially love. As he observes, the gods have given us love instead of immortality. Mirabelli is a skillful storyteller, deftly weaving all these stories into a rich, colorful tapestry of love, loss, and art. Rivaling grand opera for passion and plot, Renato! is sure to delight readers who appreciate captivating storytelling.”
“What a pleasure it is to revel in this work, which expresses enduring values in such an original way. Eugene Mirabelli…has written a beautiful and ambitious novel that will not only resonate with his generation, but also with the young, and especially with those who love really good writing. He should be a national treasure, and we are lucky, indeed, to have his enchanting Renato!. —Roberta Silman, The Arts Fuse
Renato! is “a bittersweet, beautiful story that…merits wide attention…[and] speaks wisely to life’s truths.”—Kirkus Reviews
“A major canvas…The real and the surreal blend together seamlessly; the love affair endures.”—Nicholas Delbanco, author of Why Writing Matters
“This truly is a wise and comforting book, funny and sad, wonderfully intelligent but wearing its intelligence lightly, whimsical yet thoughtful. For all its dizzy proliferation of story, Renato! is grounded in a sober sense of the real: the passage of time, the aging of the flesh, the way couples change toward one another, and the inevitability of death. Love is the lodestar from first to last. But when Renato speaks of love, the word is protean, not singular, not just passion and sex, although that’s certainly part of it, but marriage, children, friends, and work. The gods, he thinks, have given us love instead of immortality —a line that could serve as an epigraph. It’s rare to find a book, especially in our time, that so emphatically says yes to life, to the world as it comes.” —from the Introduction by Douglas Glover